From the Camera to the Code The Photographic Self-Portrait Metamorphosis in Contemporary Visual Culture
Main Article Content
Abstract
The photographic self-portrait has been transformed in the current context of visual culture, and artificial intelligence (AI) is impacting how images are created, distributed, and received. This article examines how algorithmic technologies are changing concepts of subjectivity, authenticity, and identity in both visual communication and the social sciences. Using a qualitative methodology based on a literature review and visual content analysis, we investigate the transformations in how a self-portrait is made and how the photographer, camera, and viewers interact. The findings show that artificial intelligence not only expands the expressive opportunities of self-portraiture but also transforms concepts of visual truth, agency, and authorship, creating a new paradigm for aesthetic and symbolic production in the digital environment.
Article Details
Issue
Section

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
How to Cite
References
Barthes, R. (1980). La Chambre Claire. Note Sur la Photographie. Cahiers du Cinéma.
Baudrillard, J. (1978). Cultura y simulacro. Kairós.
Begley, A. (2017). The Great Nadar: The Man Behind the Camera. Tim Duggan Books.
Bourdieu, P. (1990). Sociología y cultura. Editorial Grijalbo S.A.
Cox, J. & Ford, C. (2003). Julia Margaret Cameron: The Complete Photographs. Oxford University Press.
Flusser, V. (1990). Hacia una filosofía de la fotografía. Síntesis.
Fontcuberta, J. (2016). La furia de las imágenes: Notas sobre la postfotografía. Galaxia Gutenberg.
Harari, Y. (2023). Sapiens. De animales a dioses. Debate.
Manovich, L. (2018). AI Aesthetics. Strelka Press.
Mitchell, W. (2011). Cloning Terror. The War of Images, 9/11 to the Present. University of Chicago Press.
Respini, E. (2012). Cindy Sherman. Museum of Modern Art.
Sontag, S. (1977). On Photography. Farrar, Straus and Giroux.
Ulman, A. (2018). Excellences & Perfections. Prestel.
